Neither was he dazzled by Hollywood as the glitz and glamour capital of the world. As a reader, we only know a little about the background of Miss Lonelyhearts. His redemption, in the end, seems as simple as giving up as it does finding his faith.
Miss Lonelyhearts continued emasculation contributes to his anger and depression. The nihilistic and psychopathological interpretations are not mutually exclusive, but their interrelation raises the question of West's intention. The other people in his life are there for a purpose.
Rather, they represented a world where hearts get broken and dreams vanish. The victims who write to Miss Lonelyhearts have dreams and wishes of a better life. Doyle had called Miss Lonelyhearts a fairy, again emasculating the man he was supposed to be.
The letters that Miss Lonelyhearts receives are, amazingly, funny. He is a character with very few friends and considerably a person with lack of class. Not only does he have to give advice to people, but these people are all so serious in need for help from Miss Lonelyhearts.
The paradox of reading West is that one has so much fun while dealing with insoluble miseries and repulsive sufferings.
As a grown man, this is something unacceptable. His writing is brilliantly focused and his vision intense. He defines himself as lonely, but truly he has what a man needs in his life, a woman to take care of him.
Miss Lonelyhearts displays his obsession with Christ with the picture of Christ that is hung on his walls. Miss Lonelyhearts is repulsed by individuals he views as grotesque, and finds himself driven toward violence in their presence. With this theory in mind, one can note the disturbed sexuality of most of the characters; some of this can be traced to their backgrounds, which are not filled in very extensively by West, but which are sufficient to account for some of the characters' conflicts.
His suffering is revealed in his illness in the country. West paints the American Dream as an illusion, one that seems unachievable, particularly after reading the many letters written to him.
Eventually makes the old man cry, twisting his arm and hurting the poor man. The idea of suffering as being creative is exposed, for the suffering of Miss Lonelyhearts, his friends, and his correspondents produces nothing of value.
The park, then, in addition to being a refuge for him, is also a place of Miss Lonelyhearts returns to the city a stronger man, ready to face his battle. Miss Lonelyhearts is repulsed by individuals he views as grotesque, and finds himself driven toward violence in their presence.
This approach may suggest as it has to some critics that Miss Lonelyhearts suffers from an Oedipal fixation, an ambivalent terror of women, and latent homosexuality. Her husband had been an upstairs neighbor, and when she got pregnant with another man, the cripple neighbor married her and treated the child as his own.
The letters depress him. He is emasculated by Mary and others, as he retreats further and further into himself and his world. His admission that he does not believe in Christ appears to come from his refusal to acknowledge the sin in his own life.
When all else fails, Miss Lonelyhearts removes himself to the country in one more attempt to free himself from this suffering. Religion is a delusion which he cannot fully accept until he is almost out of his mind.
His emotionless state is like that of a stone. The reveal shows a man who is struggling more than his writers would have known. One answer, perhaps, is that his book is intended to be an unrelenting attack on the Christlessness of the modern world, so unrelenting that it will allow the reader no easy exits from its dilemmas, but, rather, compel us to examine the real world for evidence of positive values.
There is something inside of Miss Lonelyhearts that we cannot understand as a character. His religious experience joins him with God and makes him faithful, ready to embrace life. He takes the disorder of the world and tries to create a cross with it.
Miss Lonelyhearts lets the world beat him down. He asserts that even their faith cannot help them, as his Christ dream could not help him. The efforts of Miss Lonelyhearts and Betty, the novel's most attractive characters, to love each other and to help suffering humanity bog down in self-contradictions.
He seeks out companionship as a physical release, but nothing more.From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes Miss Lonelyhearts Study Guide has everything you need to ace quizzes, tests, and essays.
Miss Lonelyhearts refers to Betty as “Betty the Buddha” because she is the only character who brings peace and order to Miss Lonelyhearts’ chaotic life. There is something inside of Miss Lonelyhearts that we cannot understand as a character.
/ David M. Fine --Nathanael West's Miss Lonelyhearts / Beverly Jones --The shrike voice dominates Miss Lonelyhearts / David Madden --Nathanael West: a. Essays and criticism on Nathanael West's Miss Lonelyhearts - Critical Essays. Discuss Miss Lonelyhearts's frustrations as a writer.
Miss Lonelyhearts's job as an advice columnist enslaves him. He is unable to write advice representative his earnest Christian beliefs, and instead dispenses pedestrian sentiments about hope. Even his uneducated readers write with more panache.
In addition to “The Day of the Locust” he is the author of another classic “Miss Lonelyhearts” () as well as two minor works, “The Dream Life of Balso Snell” () and “A Cool Million” ().Download